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Music distribution from A to Z.

The terms standing between you and your first release — explained briefly, without jargon. Every term has its own page with details, examples and FAQ.

Terms

ISRC

The International Standard Recording Code is the unique 12-character fingerprint of a single sound recording. Every track gets exactly one ISRC that identifies it across every platform and attributes streams cleanly to you. OGRECORDS assigns the ISRC automatically at release — you don't have to apply for one.

More on ISRC →

UPC / EAN

The Universal Product Code (EAN in Europe) is the barcode of your release — the single, EP or album as a product, not the individual track. It bundles all tracks of a release under one number. OGRECORDS generates the UPC for you automatically.

More on UPC / EAN →

DDEX

DDEX is the industry standard distributors use to deliver metadata and audio to the streaming platforms — a strict XML format that catches typos and missing fields before they ship. OGRECORDS delivers to DDEX 4.3.2, the format Spotify, Apple Music & co. expect.

More on DDEX →

DSP

A Digital Service Provider is any platform that streams or sells your music: Spotify, Apple Music, Amazon Music, YouTube Music, Tidal, Deezer and dozens more. From a single upload, OGRECORDS delivers to 38+ DSPs across 240+ territories. The full list is on /network.

More on DSP →

Music distributor

A music distributor delivers your music to the stores and streaming services: it sends audio and metadata to the DSPs via DDEX, collects the earnings and pays them out to you. Without a distributor, an independent artist cannot get onto Spotify or Apple Music. How modern digital distribution works is explained on /distribution.

More on Music distributor →

Pre-Save

A pre-save lets fans save a release before it's out — on release day it lands in their library or playlist automatically. That boosts day-one streams, which in turn improves your editorial and algorithmic chances. Pre-save is part of every /smart-links at OGRECORDS.

More on Pre-Save →

Royalty Split

A royalty split divides the income of a track or release automatically across multiple parties — features, producers, co-writers or investors. Each recipient gets their share directly, with no manual transfers from you. At OGRECORDS splits are unlimited and computed in real time — details on /royalty-splits.

More on Royalty Split →

Streaming royalties

Streaming royalties are the earnings your tracks generate per stream on Spotify, Apple Music & co. They vary widely by platform, country and subscription type — Spotify pays roughly $0.003–0.004 per stream on average, Apple Music about double that. The per-platform numbers live on /spotify-pro-stream.

More on Streaming royalties →

Advance

An advance is an upfront payment against your future streaming royalties: you get money now, and it is repaid from the ongoing earnings of your catalog (recoupment). Unlike a loan, a non-recourse advance carries no personal liability. How it works at OGRECORDS is on /advance.

More on Advance →

Playlist pitching

Playlist pitching means actively proposing a track to playlist editors before release — via the editorial pitch at Spotify, and via dedicated channels at Apple Music, Deezer and Amazon. A good pitch raises your chances of editorial playlists and reach without an ad budget. Details on /playlist-pitching.

More on Playlist pitching →

Master / Master Rights

The master is the actual sound recording of your song — as opposed to the composition, which belongs to the songwriting and publishing side. Whoever holds the master controls how the recording is exploited. At OGRECORDS you keep 100 % of your masters, always and non-exclusively.

More on Master / Master Rights →

Mechanical Royalties

Mechanical royalties arise from the reproduction and playback of a composition — separate from the master royalties earned through streaming. They usually flow through collecting societies (such as GEMA) and music publishing. Important: distribution covers the master side, not automatically the publishing.

More on Mechanical Royalties →

Sync Licence

A sync licence (synchronisation) permits the use of your music with moving images — in ads, film, TV series or games. Such placements often pay far more than streaming and open new income streams. OGRECORDS brokers sync at a 15 % commission and you keep your master rights — see /sync-marketplace.

More on Sync Licence →

Sync Marketplace

The OGRECORDS sync marketplace brings music from our own catalogue to advertising agencies, film and TV productions, game studios and brands. Artists unlock their tracks for licence requests in the dashboard, buyers describe their project in a short brief and receive matching proposals with previews. 15 % commission only on success, non-exclusive, the master rights stay with the artist — see /sync-marketplace.

More on Sync Marketplace →

Content ID

Content ID is YouTube's system that automatically detects your music in other people's videos — covers, reactions, Shorts and other user-generated content. The income it generates flows to you instead of third parties. At OGRECORDS automatic claiming is included in the distribution cut.

More on Content ID →

Takedown

A takedown pulls a release back off the platforms — for example before a re-release or when switching labels. With classic providers this often costs fees or comes with lock-up periods. At OGRECORDS takedowns are free and without a hold period, because the agreement is non-exclusive.

More on Takedown →

LUFS

LUFS (Loudness Units Full Scale) is the measure used for a track's loudness. Streaming platforms normalise to a target around -14 LUFS — master louder than that and you give up dynamics without actually sounding louder. The OGRECORDS audio QC checks loudness, clipping and phase before your track goes out.

More on LUFS →

P-Line / C-Line

The P-line (℗) names the rights holder of the sound recording, the C-line (©) the rights holder of the composition and artwork — each with year and name. These copyright notices are mandatory metadata for every release. OGRECORDS pre-fills the P-line and C-line on submit, and you can override them any time.

More on P-Line / C-Line →

Enough theory — get going.

You now know what happens between upload and stream. The release wizard handles the rest.

Release now →